The second project of Unconventional Clay was a nature abstraction piece, which involved going on a conservatory field trip to take notes and inspiration back to the studio, combining natural forms in abstract ways. In the interest of time within a very busy schedule, I chose to make the simpler forms of flower pods and vines. This of course still took a lot of effort and time, more than I had bargained for really, but it ended up in an interesting composition that mirrored a previous sculpture, juxtaposing red tendrils against white solids.
I wanted to avoid the colors normally associated with the forms I drew from, especially green, and instead I substituted in a combination of white and red to be more reminiscent of grotesque animal biology than that of plants. I found this to be a somewhat safe pick as I was still figuring out glazes, though I still ran into issues with forgetting underglaze and having to reglaze the piece over a month later in order to get the red hue I had intended. The reglaze did fix this and got the piece into a state I'm now happy with, though there still might be room to add in some other color or pattern element to the bases of the pods.